Carden, S. 2019. ‘The Place of Shetland Knitting‘. Textile: Cloth and Culture 17(3): 1-11.
Carden, S. 2018. ‘Producing and consuming ‘maker cultures’: Shetland knitting as production, process and product‘. Making Futures Journal 2017: 1-11.
Carden, S. 2018. ‘The Aran Jumper’. In Design Roots: Local Products and Practices in a Globalized World, eds. Stuart Walker, Martyn Evans, Jeyon Jung, Tom Cassidy and Amy Twigger-Holroyd. Bloomsbury Academic
Carden, S. 2017. ‘The Gaeltacht Quarter of Mural City: Irish in Falls Road Murals‘. In Murals and Tourism : Heritage, Politics and Identity. Skinner, J. & Jolliffe, L. (eds.). Routledge Press, New York. p. 236-253
Carden, S. 2017. ‘The Use and Social Enjoyment of Murals: ‘the people’s art’, its publics and cultural heritage‘. In Conservation, Tourism, and Identity of Contemporary Community Art : A Case Study of Felipe Seade’s Mural “Allegory to Work”. Campos, V. S., Montagud, M. A. C., Molina, M. D. M. & de-Miguel-Molina, B. (eds.). CRC Press
Carden, S. 2014. ‘Cable Crossings: The Aran Jumper as Myth and Merchandise’. Costume 48(2):260-275
Carden, S. 2012. ‘Making space for tourists with minority languages: the case of Belfast’s Gaeltacht Quarter’. Journal of Tourism and Cultural Change 10: 1, 51-64
Carden, S. 2011. ‘Post-conflict Belfast sliced and diced: the case of the Gaeltacht Quarter’. Working Paper No.20 for ‘Contested Cities and the Contested State’ (an ESRC funded project). Available from http://www.conflictincities.org/workingpapers.html.